Encompassing both color grading and correction, and the creation of a look or effect, we work with you using industry standard hardware and software based systems to alter and enhance the color of moving images to achieve its final look.
We use top-of-the-line Davinci Resolve panels and the groundbreaking Dolby reference PRM-4200 monitor which is one of the most accurate reference monitors on the market. Our Dolby monitor is calibrated for broadcast and cinema spaces to ensure the truest picture for final delivery.
Our in-house visual effects artists build everything from 3D models to photorealistic compositing effects and more, to build the final scenes as you envisioned them or better. We then track and balance visual effects shots in parallel with final picture grading, making production seamless.
Our artists and designers work to create story-led titles which serve the picture from opening credits to main title sequences and closing credits.
Editing is all about storytelling and it´s important for us to guide and assist our clients in telling their stories exactly the way they want them to be told. Our editors have years of experience editing diverse media content.
Final DCP for cinematic release, trailers, DVDs for festivals, multiple versions with and without subtitles. We will take your project through to the final stages of delivery to your audience.
Using a scanning facility we digitally restore and remaster films from digital intermediates, re-balance and address any artifacts, dust-bust and even re-colour.
Examples of films recently restored in-house are Rock in Reykjavik, Children of Nature, Cold Light and As in Heaven.